Nikon D3. 00. S Recensione, Opinioni e Caratteristiche Tecniche. Tipo Fotocamera reflex digitale a obiettivo singolo. Innesto dell’obiettivo Attacco Nikon F- Mount con accoppiamento AF e contatti AFAngolo di campo effettivo Fattore di conversione di circa 1,5x (formato DX Nikon)Pixel effettivi Sensore di immagine Sensore CMOS da 2. Pixel totali Sistema di riduzione della polvere Pulizia sensore di immagine, dati di riferimento della funzione “Image Dust off” (software Capture NX 2 opzionale necessario)Dimensione dell’immagine (pixel) 4. L], 3. 2. 16 x 2. M], 2. 1. 44 x 1. ![]() S]Memorizzazione – Formato file NEF (RAW): 1. Compressione senza perdita, Compressione maggiore o Senza compressione. TIFF (RGB)JPEG: linea di base JPEG conforme a compressione Fine (circa 1: 4), Normale (circa 1: 8) o Basic (circa 1: 1. Peso costante); compressione Qualità ottimale disponibile. NEF (RAW) + JPEG: singola foto registrata in entrambi i formati NEF (RAW) e JPEGSistema Picture Control Selezionabile tra Standard, Neutra, Satura, Monocromatico; memorizzazione fino a nove controlli immagine personalizzati. Supporti Card di memoria Compact. Flash di tipo I (compatibili con UDMA); card di memoria SD, compatibili con SDHCSlot per 2 card Entrambe le card possono essere utilizzate come card principale; la card secondaria può essere utilizzata per memorizzare i dati in eccedenza e per il backup oppure per memorizzare a parte immagini in formato NEF (RAW) e JPEG; le immagini possono essere copiate da una card all’altra. File system DCF (Design Rule for Camera File System) 2. DPOF (Digital Print Order Format), Exif 2. Exchangeable Image File Format for Digital Still Cameras), Pict. Bridge. Mirino Mirino reflex a obiettivo singolo a pentaprisma. Copertura dell’inquadratura Circa il 1. Ingrandimento Circa 0,9. ![]()
Distanza di accomodamento dell’occhio Regolazione diottrica Schermo di messa a fuoco Schermo Brite. View II tipo B con campo chiaro opaco con cornici AF (è possibile visualizzare il reticolo)Specchio reflex Anteprima profondità di campo Quando viene premuto il pulsante di anteprima profondità di campo, l’apertura del diaframma si arresta sul valore selezionato dall’utente (modi A e M) o dalla fotocamera (modi P e S)Apertura obiettivo A riapertura istantanea, comando elettronico. Obiettivi compatibili • DX NIKKOR: supporta tutte le funzioni• Obiettivo AF NIKKOR di tipo G o D: supportate tutte le funzioni (PC Micro- NIKKOR non supporta alcune funzioni); obiettivi IX- NIKKOR non supportati• Altri AF NIKKOR: supportate tutte le funzioni eccetto la misurazione Color matrix 3. D II; obiettivi per F3. AF non supportati• AI- P NIKKOR: supporta tutte le funzioni eccetto la misurazione Color Matrix 3. SimpaticoTech.it Vendita PC Usati Ricondizionati Garantiti HP Dell Lenovo Acer Asus Samsung Xbox PS4 iPhone iPad.D II.• Non- CPU: utilizzabile nei modi di esposizione A e M; misurazione Color matrix e visualizzazione del valore di apertura supportate se l’utente fornisce i dati relativi all’obiettivo (solo obiettivi AI)•Il telemetro elettronico può essere utilizzato se l’apertura massima è f/5. Tipo di otturatore A lamelle sul piano focale con scorrimento verticale e comando elettronico. Tempo di posa Da 1/8. EV, posa B, X2. 50. Tempo sincro flash X=1/2. Modi di scatto Singolo, continuo a bassa velocità, continuo ad alta velocità, scatto silenzioso, autoscatto, M- Up. Frequenza di scatto Con batteria ricaricabile Li- ion EN- EL3e: circa da 1 a 7 fps (CL), circa 7 fps (CH)*Con Multi- Power Battery Pack MB- D1. Li- ion EN- EL4a: circa da 1 a 7 fps (CL), circa 8 fps (CH)** Con una batteria diversa dalla batteria ricaricabile Li- ion EN- EL4a, la velocità di ripresa in sequenza potrebbe essere inferiore a 8 fps nel modo continuo ad alta velocità. Autoscatto Durata selezionabile tra 2, 5, 1. Misurazione esposimetrica Misurazione esposimetrica TTL con sensore RGB da 1. Metodo di misurazione esposimetrica Matrix: misurazione Color Matrix 3. D II (tipo G e D); misurazione Color Matrix II (altri obiettivi CPU); misurazione Color Matrix disponibile con obiettivi senza CPU se l’utente fornisce i dati obiettivo. Ponderata centrale: 7. Il diametro del cerchio può essere modificato a 6, 1. Welcome to Sony Support Select your country below to see support information specific for your country. CPU)Spot: misurazione effettuata in un cerchio di 3 mm (circa il 2% del fotogramma) al centro del punto AF selezionato (nel punto AF centrale, se si utilizza un obiettivo senza CPU)Portata (ISO 1. C) Misurazione Matrix o ponderata- centrale: da 0 a 2. EVMisurazione spot: da 2 a 2. EVTerminale di accoppiamento esposimetro Accoppiamento di CPU e AIModo Auto programmato con programma flessibile (P), Auto a priorità di tempi (S), Auto a priorità dei diaframmi (A) e Manuale (M). Compensazione esposizione Da - 5 a +5 EV in incrementi di 1/3, 1/2 o 1 EVBracketing di esposizione 2- 9 fotogrammi in step di 1/3, 1/2, 2/3 o 1 EVBlocco esposizione Luminosità bloccata al valore rilevato mediante pressione del pulsante AE- L/AF- LSensibilità ISO (indice di esposizione consigliato) Da ISO 2. EV; può essere impostata anche su circa 0,3, 0,5, 0,7 o 1 EV (equivalente a ISO 1. ISO 2. 00 o su circa 0,3, 0,5, 0,7 o 1 EV (equivalente a ISO 6. ISO 3. 20. 0D- Lighting attivo Può essere selezionato tra Auto, Molto Alto, Alto, Normale, Basso o No. Bracketing D- Lighting attivo Da 2 a 5 fotogrammi con livelli che variano a seconda del numero di fotogrammi scelto; per 2 fotogrammi vengono applicati No e un livello scelto. Autofocus Modulo autofocus Nikon Multi- CAM 3. DX con rilevazione di fase TTL, regolazione fine, 5. AF (inclusi 1. 5 sensori a croce) e illuminatore ausiliario AF (portata di circa 0,5–3 m)Campo di rilevazione Da - 1 a +1. EV (equivalente a ISO 1. C)Live view – Motore di messa a fuoco Autofocus: AF singolo (S); AF continuo (C); tracking predittivo di messa a fuoco ad attivazione automatica in base al movimento del soggetto. Manuale (M): Telemetro elettronico supportato. Punto AF Selezionabile tra 5. AFModo area AF Punto AF singolo, AF ad area dinamica e Area AF auto. Blocco della messa a fuoco La messa a fuoco può essere bloccata premendo il pulsante di scatto a metà corsa (AF- singolo) o il pulsante AE- L/AF- LFlash incorporato Sollevamento manuale con pressione pulsante e numero guida pari a 1. ISO 2. 00, 2. 0 °C) o 1. ISO 1. 00, 2. 0 °C)Controllo flash • TTL: il fill- flash con bilanciamento i- TTL e il flash i- TTL standard per SLR digitali che utilizzano un sensore RGB da 1. SB- 9. 00, SB- 8. SB- 6. 00 o SB- 4. Auto aperture: disponibile con il lampeggiatore SB- 9. SB- 8. 00 e con obiettivi CPU• Auto non TTL: unità flash supportate tra cui i lampeggiatori SB- 9. SB- 8. 00, SB- 2. SB- 2. 7 e SB- 2. S• Manuale con priorità di campo: disponibile con i lampeggiatori SB- 9. SB- 8. 00. Modo flash Sincro sulla prima tendina, sincro su tempi lenti, sincro sulla seconda tendina, riduzione effetto occhi rossi e riduzione effetto occhi rossi con sincro su tempi lenti. Compensazione flash. Da - 3 a +1 EV in incrementi di 1/3, 1/2 o 1 EVBracketing flash 2- 9 fotogrammi in step di 1/3, 1/2, 2/3 o 1 EVIndicatore di pronto lampo Si accende quando il flash incorporato o l’unità flash, ad esempio il lampeggiatore SB- 9. SB- 8. 00, SB- 6. SB- 4. 00, SB- 8. DX, SB- 2. 8DX o SB- 5. DX è completamente carico; lampeggia dopo l’azionamento del flash a piena potenza. Slitta accessori Hot- shoe ISO 5. Nikon Creative Lighting System (CLS) Illuminazione avanzata senza cavi supportata con flash incorporato, lampeggiatori quali SB- 9. SB- 8. 00 o SU- 8. SB- 9. 00, SB- 8. SB- 6. 00 o SB- R2. Sincro FP automatico a tempi rapidi e illuminazione pilota supportati con tutte le unità flash compatibili con il sistema CLS eccetto per SB- 4. FV supportati con tutte le unità flash compatibili con il sistema CLSTerminale sincro Terminale sincro ISO 5.Bilanciamento del bianco Auto (Bilanciamento del bianco TTL con sensore di immagine principale e sensore RGB da 1.Incandescenza, Fluorescenza (7 opzioni), Sole diretto, Flash, Nuvoloso, Ombra, premisurazione manuale (è possibile memorizzare fino a 5 valori) e impostazione della temperatura di colore (da 2. Jigsaw Puzzle Lite 1 8 4 Exemple . K a 1. 0. 0. 00 K); regolazione fine per tutte le opzioni.Bracketing D- Lighting attivo 2–9 fotogrammi in step di 1, 2 o 3.
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Voice Browser Call Control: CCXML Version 1. Abstract. This document describes CCXML, or the Call Control e. Xtensible Markup Language. CCXML is designed to provide telephony call. Voice. XML [VOICEXML]. While. CCXML can be used with any dialog systems capable of handling media, CCXML has been designed to complement and integrate with a. Voice. XML interpreter. Because of this there are many references to Voice. XML's capabilities and limitations. There are also. details on how Voice. XML and CCXML can be integrated. However, it should be noted that the two languages are separate and are. For example, CCXML could be integrated with a more traditional. Interactive Voice Response (IVR) system or a 3. GPP Media Resource Function (MRF), and Voice. XML or other dialog systems could be. Status of this Document. This section describes the status of this document at the time of its publication. Other documents may supersede this. A list of current W3. C publications and the latest revision of this technical report can be found in the W3. C technical reports index at http: //www. TR/. This is the 0. July 2. 01. 1 Recommendation of "Call Control e. Xtensible Markup Language. ![]() The upcoming call control language for more elaborate control than VXML transfer. CCXML uses VXML to specify dialogs with connected call parties. CCXML) Version 1.There were no changes since the Proposed Recommendation document. Office 2010 Uninstall Product Identification there. The W3. C Membership and other interested parties are invited to review the document and send comments to the Working Group's public mailing list www- [email protected] W3. C mailing list and archive usage guidelines.This specification describes the Call Control XML (CCXML) markup language that is designed to provide telephony call control.
Voice. XML or other dialog systems. This document has been produced as part of the Voice Browser. Activity. The authors of this document are participants in the Voice. Browser Working Group. For more information see the Voice Browser. FAQ. During the Candidate Recommendation phase, four independently developed implementations were evaluated. The entrance criteria for the Proposed Recommendation phase requires a minimum of two independently developed interoperable implementations for each required feature, two or more implementations of optional features that would impact interoperability, and a minimum of one implementation for each optional feature that has no impact on interoperability. These requirements were met. For further details and complete results please see section 7 of the CCXML Implementation Report. Comments received during the Candidate Recommendation period can be found in the Disposition of Comments. This document has been reviewed by W3. C Members, by software developers, and by other W3. C groups and interested parties, and is endorsed by the Director as a W3. C Recommendation. It is a stable document and may be used as reference material or cited from another document. W3. C's role in making the Recommendation is to draw attention to the specification and to promote its widespread deployment. This enhances the functionality and interoperability of the Web. This document was produced by a group operating under the 5 February 2. W3. C Patent Policy. W3. C maintains a public list of any patent disclosures made in connection with. An individual who has actual. Essential Claim(s) must disclose the. W3. C Patent Policy. Conventions of this Document. In this document, the key words "must", "must not", "required", "shall", "shall not", "should", "should not", "recommended". RFC2. 11. 9] and indicate. CCXML implementations. Table of Contents. Introduction. This document describes CCXML, the Call Control e. Xtensible Markup Language. CCXML provides declarative markup to describe. CCXML is a language that can be used with a dialog system such as Voice. XML [VOICEXML]. CCXML can provide a complete telephony service application, comprised of Web server CGI compliant application logic, one or more CCXML documents to declare and perform call. Since platforms implementing CCXML may choose to use one of many telephony call control definitions (JAIN Call Control. JSR0. 21], ECMA CSTA [CSTA], S. S. 1. 00], etc.), the call control model in. CCXML has been designed to be sufficiently abstract so that it can accommodate all major definitions. For relatively simple. The philosophy in this regard has been to "make simple things. Outdial, transfer (redirect), two- party bridging, and many forms of multi- party conferences fall within this. Figure 1 shows the architecture of a telephony implementation consisting of four primary components: a caller (along with the telephone network),a dialog system (e. Voice. XML implementation),a conference server used to mix media streams,and the CCXML implementation which manages the Connections between the first two components. The Telephony Web Application may or may not be integrated with the Voice Web Application. The Telephony Control and Dialog Control Interfaces may be implemented as an API or protocol. The components as shown in the figure below represent logical functions, and are not meant to imply any particular. Figure 1. 2: Motivation (Informative)CCXML is designed to complement dialog systems such as Voice. XML by providing advanced telephony functions. It also can be. used as a third- party call control manager in any telephony system. This document contains references to Voice. XML's. capabilities and limitations, as well as details on how Voice. XML and CCXML can be integrated. The CCXML specification originated from the desire to handle call control requirements that were beyond the scope of the. Voice. XML specification. The following requirements are addressed by this specification: Support for multi- party conferencing, with advanced conference and audio control. A conferencing application involves. The ability to give each active call leg its own dedicated Voice. XML interpreter. For example, in Voice. XML, the second leg. Voice. XML interpreter of its own, limiting the scope of possible applications. Sophisticated multiple- call handling and control, including the ability to place outgoing calls. Handling for a richer class of asynchronous events. Advanced telephony operations involve substantial amounts of signals. Voice. XML 2. 0 does not integrate asynchronous "external" events into its event- processing. Voice. XML lacks the external interfaces required to interact with an outside call queue, or place calls on behalf of an. CCXML and Voice. XML implementations are not mutually dependent. A CCXML implementation may or may not support voice dialogs. Voice. XML. 3: Concepts and Architecture. A CCXML application consists of a collection of CCXML documents that. CCXML Session: A CCXML session is comprised of an executing. CCXML document, or sequence of CCXML documents; each concurrently executing CCXML document is a separate session, and can be. Connection: Connections can be "call legs" (real- world. Media streams between Connections, or between Connections and Conference objects, need to be tracked by the CCXML interpreter and will take real system resources, but do not need a dedicated. Ownership of Connections can be moved from one session to another using < move>. Conference object: A Conference Object models a resource. In order to accommodate the widest range of underlying telephony call control definitions, CCXML. Conference Object, realizing that this abstraction may not have. See < createconference> and. Dialog: When active, a Dialog may interact with other Connections or Conferences using one- way or two- way. Voice. XML. CCXML programs manipulate these entities through elements defined in the CCXML language. They can also send and/or receive. CCXML programs directly manipulate Connection Objects and Conference Objects with various elements in the language, such as. CCXML may also receive. Connection and Conference. Objects, in the case of line signaling, line- status informational messages, or error and failure scenarios. CCXML programs can start and kill Voice Dialogs using language elements. It can. receive events from Voice Dialogs, which may be standardized events such as. CCXML can support sending of an event to a Voice Dialog. CCXML programs can create other CCXML sessions using. This is the only guaranteed control mechanism a CCXML. Session ever wields over another. Any other interaction takes place through the event mechanism. CCXML Sessions can both send and receive events between one another. Event Processing. 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Year 3 | Addition☐ Use a variety of strategies to add 3- digit numbers (with and without regrouping)☐ Use and explain the commutative property of addition☐ Understand and use the associative property of addition. Year 3 | Subtraction☐ Use a variety of strategies to subtract 3- digit numbers (with and without regrouping)Year 3 | Multiplication☐ Develop fluency with multiplication facts: 2x, 3x, 4x, 5x, 1. Use a variety of strategies to solve multiplication problems with factors up to 1. Use the area model, tables, patterns, arrays, and doubling to provide meaning for multiplication☐ Use 1 as the identity element for multiplication☐ Use the zero property of multiplication☐ Use and explain the commutative property of multiplication. Year 3 | Division☐ Demonstrate fluency and apply single- digit division facts☐ Use tables, patterns, halving, and manipulatives to provide meaning for division. Year 3 | Numbers☐ Identify odd and even numbers☐ Develop an understanding of the properties of odd/even numbers as a result of addition or subtraction☐ Read and write whole numbers to 1,0. Compare and order numbers to 1,0. Understand the place value structure of the base ten number system. Use a variety of strategies to compose and decompose three- digit numbers. Year 3 | Fractions☐ Develop an understanding of fractions as part of a whole unit and as parts of a collection☐ Use manipulatives, visual models, and illustrations to name and represent unit fractions (1/2,1/3,1/4,1/5,1/6 and 1/1. Understand and recognize the meaning of numerator and denominator in the symbolic form of a fraction☐ Recognize fractional numbers as equal parts of a whole☐ Explore equivalent fractions (1/2, 1/3, 1/4)☐ Compare and order unit fractions (1/2, 1/3, 1/4) and find their approximate locations on a number line. 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As the environment becomes an ever- increasing matter of national and international importance, students’ knowledge of ecosystem dynamics gains in value. In addition to being a core requirement of science standards across the country, the study of ecosystems is interesting to students, creating an arena in which complex ideas become accessible to learners. Guiding Questions. What is an ecosystem and what are its parts and functions? What can challenge an ecosystem? What are the roles of the water and food cycles in an ecosystem? Learning Objectives. After completing the lessons in this unit, students will be able to: Identify the fundamental structure and function of an ecosystem. Evaluate biomes. Compare and contrast marine ecosystems. Predict the result of parasitism. Create a cinquain poem about the water cycle. Connect their learning to real- world ecosystem challenges. Propose solutions to desertification. Categorize the trophic levels of organisms within an ecosystem. Create a board game that reflects a significant understanding of essential concepts of the lesson. Preparation. Copy the lesson plan. It is preferable to have a color copy. Ensure that students have reliable internet connections. Students willneed access to typical art supplies for the capstone project. Lesson 1: The structure and function of an ecosystem. For each section below, read the information in the box on the left, draw a picture to represent the information in the box on the right, and circle the word in the box on the left that you feel is the most important word. Find the areas of the world in the arid desert biome. Based on this map and your knowledge of ecosystems and biomes, answer the following questions: Is the arid desert biome found on more than one continent? What can you infer about the Range of Tolerance of animals and plants living in the arid desert? Xeric means extremely dry. What do you think the difference between the arid desert and xeric shrubland biomes might be? Find the biome in which you live. What is it? Where else in the world can you find it? If you could live in any biome, which one would it be and why? Marine ecosystems. Download the Large Marine Ecosystems of the World map from the National Oceanographic and Atmospheric Agency’s Large Marine Ecosystems website. Make sure that it is big enough to see clearly (You may need to adjust the size at the top of the screen — look for the % sign). Use the map to answer the questions below. Find Ecosystems 2. Africa. These ecosystems abut each other. What do you notice about the land at the edges of the marine ecosystems? What is the marine ecosystem closest to where you live? Look at Ecosystem 3. Arabian Sea. How is it different than Ecosystems 2. Find Ecosystem 6. Hudson Bay, and Ecosystem 3. Bay of Bengal. How do you think these ecosystems are different from each other? Warm water evaporates much more quickly than cold water. Predict which bay evaporates more quickly, Hudson Bay or the Bay of Bengal? Evaporation creates increased salinity (saltiness). Which bay would you expect to be more salty, Hudson Bay or the Bay of Bengal? The food chain. Within an ecosystem, plants and animals relate to each other in different ways. Some animals eat other animals in a relationship we call the food chain. It’s easy to envision animals competing with each other, but did you know that plants do, too?Plants compete for space, water, nutrients, and light.Plants get their nutrients from air, water, and soil.What do you think a plant could do to increase the amount of nutrients it was getting?How about light? Other plants and animals live side- by- side in a relationship we call symbiosis.There are different kinds of symbiosis.The first is called parasitism. . This is where one species. An example of parasitism is fleas on a. Another example of parasitism is called brood parasitism. This is when a bird lays its eggs in another bird’s nest rather than building its own nest and sitting on the eggs. Cuckoo birds and cowbirds lay their eggs in another bird’s nest and have the host bird "babysit" the egg. This doesn’t always work out for the host, because the cuckoo sometimes shoves the host’s eggs overboard to try to fool the host! If the host and the parasite benefit from the relationship, we call that mutualism. An example of that would be bacteria in the gut of cows. The cows need the bacteria to help them digest their food; the bacteria need the cow to provide them nutrients. Another example is the relationship between the clown fish and the sea anemone. The anemones protect the fish from predators that would eat the clown fish but don’t want to mess with the stinging tentacles of the anemone. The clown fish in turn protects the anemone from a fish called the butterfly fish that eats anemones. What do you think the biggest problem that brood parasitism could cause would be and why? The water cycle. Ecosystems rely on delicately balanced cycles in order to function properly. For instance, in the water cycle, called the hydrological cycle, water evaporates and rises into the air, cools and condenses, falls back to the earth as precipitation, and then collects again. The cycle repeats itself over and over. The diagram. above shows the water cycle. For a better understanding, follow a drop through the water cycle at the U. S. Geological Survey's website. In an ecosystem, the cycle of water is critically important. Do you remember what a Range of Tolerance is? Many plants and animals have a strict Range of Tolerance when it comes to water and are very susceptible to drought or flooding. After studying the diagram and reading about the drop of water, you are ready to write a cinquain poem about water. A cinquain (pronounced "sin cane") is a five- lined poem that follows a pattern of syllables. Here is the pattern: Line 1: topic – either a two- syllable word or two single syllable words. Line 2: four syllables of adjectives or words describing the topic. Line 3: six syllables of verbs that show what the topic does. Line 4: eight syllables that express something about the subject. It can be a sentence. Line 5: two syllables that wrap the whole poem up. It can be a synonym of the topic. Here’s an example: Desert. Sandy and dry. Waiting for welcome rain. To make the flowers bloom again. Arid. Lesson 2: Challenges to ecosystems. An ecosystem is a delicately balanced system that can be thrown off kilter through both man- made and natural causes. Watch Dr. Rob Dunbar’s talk about the ancient climates his team is discovering in Antarctic ice. Before you watch, glance through the questions below so you have an idea of what you’re looking for. After watching, come back and answer the questions. What are some of the challenges, both man- made and natural, that Dr. Dunbar and his team have found to the ecosystems in the Antarctic and the Galapagos Islands? Dr. Dunbar discusses El Niño events. An El Niño is when the normally cold waters on the western coast of South America heat up. This causes everything from flooding in Peru to drought in Australia. What are some of the effects of this natural event? What did you think was the most interesting thing Dr. Dunbar talked about? Watch this video on deserts from the United Nations Environment Programme. Suppose you could do one thing to help the desert ecosystem. What would it be? How would you tell if your idea was successful? Can you propose an alternative to the use of rivers like the Rio Grande for agricultural irrigation? What could be done to minimize the effects of population growth on an area? Lesson 3: Food webs. You have learned that animals and plants in an ecosystem have a niche, or a role, in the ecosystem. One aspect of an organism’s niche is its place in the food web or food chain. The term "food web" is the most preferred term because it is not a simple chain; all the organisms are interconnected like a spider’s web. There are three kinds of ways animals interact with food. They can be producers, consumers or decomposers. Plants and algae are usually the producers in an ecosystem. Producers don’t eat anything else; they get their energy from another source, often the sun, which is that foundation of the food web just like it is at the foundation of the water cycle. Plants get their nutrients from soil, water, and air, so they don’t need to eat things. There are plants that eat insects, though! Consumers eat the producers and/or other consumers.
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The group believes that the infected devices are spread throughout 1. In one instance, a Wire. X attack was accompanied by a ransom email, Cloudflare’s head of trust and safety Justin Paine told Gizmodo. Once the larger collaborative effort began, the investigation began to unfold rapidly starting with the investigation of historic log information, which revealed a connection between the attacking IPs and something malicious, possibly running on top of the Android operating system,” the researchers wrote in a joint blog post. The best thing that organizations can do when under a DDo. S attack is to share detailed metrics related to the attack. With this information, those of us who are empowered to dismantle these schemes can learn much more about them than would otherwise be possible.”This is just the latest example of apps containing malware making their way into the Google Play Store. Earlier this month, Google booted several apps that contained hidden surveillance software. 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Questa estensione viene utilizzata per indicare un tipo di file che contiene l’intero contenuto di un disco ottico (CD o DVD) che può essere usato direttamente (tramite software di emulazione) oppure inciso su un supporto fisico tramite un normale processo di masterizzazione.Utilizzeremo un semplice programma gratutito per aprire i file senza masterizzare su disco: DAEMON Tools Lite. Esistono anche altre versioni del programma con più funzioni ma a pagamento, ecco l’elenco completo: Adesso vediamo come montare un file *. DAEMON Tools Lite: Scarichiamo da questa pagina la versione più recente di Daemon Tools Lite. Avviamo l’installazione, è necessario riavviare il computer al termine. Apriamo il programma, andiamo nella Tray- bar (dove si trova l’orologio di Windows) e facciamo click con il tasto destro sull’icona di Daemon Tools Lite (un cerchio bianco con un fulmine blu al centro) e spostiamoci in Periferiche Virtuali - > Unità - > Monta immagine…. 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The sound of the belch'd words of my voice loos'd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag.
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Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself. Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side- curved head curious what will come next. Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with. I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you.And you must not be abased to the other. Crack File For Warcraft 3 Reign Of Chaos Or Frozen . Loafe with me on the grass, loose the stop from your throat.Not words, not music or rhyme I want, not custom or lecture, not.Only the lull I like, the hum of your valved voice. I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me. And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love. And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green. Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white. Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass. It may be you transpire from the breasts of young men. It may be if I had known them I would have loved them. It may be you are from old people, or from offspring taken soon out. And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers. Darker than the colorless beards of old men. Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues. And I perceive they do not come from the roofs of mouths for nothing. 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They do not know how immortal, but I know.). Every kind for itself and its own, for me mine male and female. For me those that have been boys and that love women. For me the man that is proud and feels how it stings to be slighted. For me the sweet- heart and the old maid, for me mothers and the. For me lips that have smiled, eyes that have shed tears. For me children and the begetters of children. Undrape! you are not guilty to me, nor stale nor discarded. I see through the broadcloth and gingham whether or no. And am around, tenacious, acquisitive, tireless, and cannot be shaken away. ROBERT GEORGESCU LIVE MIX @ ONE FM - Stiri - One. FMDavias a scris. FORTEBN ROBERT IMI PLC F MULT MIXURILE TALE : X ce sa mai o lungim atat esti tare cred ca pot ajunge sus daca tragi mult de tn shi vrei sa faci ceva shi mai mult, oricum tineo tot asha esti tare bvo tzie: XRomy - Sibiu a scris. Am venit, am ascultat. Abia astept sambata la ora 7 sa te aud. Azi nu a fost chiar o ora intreaga, maine sper sa nu mai scurtezi programul. E prea fain. Alexa a scris: X vreau mixul de astazi si tracklistul te rooooooooog : -< RADU a scris ASA DJ ASA MIX SUPER .. TARE DJ UL ASTAgiulia a scrissunt fana ta nr ONE .. ZSSSSZZZSSUPERloredana a scris: ) ASA CEVA sa mixeze asa fain tare frate : )stefan denis a scrisfoarte tare bestial nu pleca mai stai un pic si mixeaza. Soby a scris. In Robi puteti sa aveti incredere , nu lasa niciodata de dorit ! Bravo tie , tot asa . Ion a scrissuper smeker mixeaza baiatu asta.. MIXEAZA BESTIAL alexandruuuu a scrisdjjjj roberttt georgescuuuu foarte tare !!!! Dj. Mentol a scris. Te ascult chiar acuma , felicitari tine- o tot asa ! SUPER MIX IN CE CLUBURI MIXEZI? ADRIAN brasov a scris brasoveanuuuuu nostru HAI BRASOV HAI ROBERT !!!! IMI PLACE FOARTE TARE CUM MIXEAZA giulia a scris FELICITARI DJ ROBERT GEORGESCU ! Miki a scris. TRACKLIST sa mi- l de- a cineva! Va roooog! Va rog muult! Am auzit niste melodii superbe! Xandreea a scrisle vreau si eu plsss bravo robert : )valush a scrisfoarte tare frate..: X: XMazy a scris. Da faci minuni : X ! E super tine tot asa : X .! Alex a scris. Ce sa mai spunem.. Octavian Galati a scris. BESTIAL! FOARTE TARI MIX- URILE. FELICITARI SI SUCCES IN CONTINUARE! Domnule gorje important este ca l ai ascultat si ti a starnit interesul acest nume dj robert georgescu si este foarte bine ca ai avut ceva de spus : )) daca ai fi fost indiferent era realmente adevarat ca nu ti place dar si o parere negativa ajuta ha ha ha : ) asa ca de azi inainte sambata sper sa ti starneasca tot atata interes ca sa ai ce spune : ))))))))) poate te aventuriezi si ajungi si tu dj la one fm : ))))manudj a scrisdeci acest gorje sigur este unul dintre acei dj care il invidiaza pe robert si se semneaza cu alt nume,si io mixez de cativa anisori intr- un clubulet micut si la- m ascultat pe robert si chiar mixeaza bine si inseamna k ASTA CARE COMENTEAZA AIUREA NU STIE ce inseamna sa mixezi dar in fine,bagam in seama toti.. FELICITARI ONE FM SI FELICITARI ROBERT ! E CLAR ESTI JALNIC UN OM CU CARACTER 0 ... EXACT CUM AI SPUS "TU "diferit de gusturile tale GORJE : ))) PRESUPUN CA TE SIMTI FOARTE MANDRU DE TINE SI AI REALIZARI EXCEPTIONALE DE ACEEEEEAAA ESTI IN MASURA SA- TI DAI CU PAREREA VAI DE CAPUL TAU : )))) ITI DAU UN SFAT : de ce nu mergi la OTV sa ii spui lui dan diaconsescu ca tu nu esti de acord CU ACEST DJ si fa cateva episoade bune pe acolo si asa poate ,dar poate vei fi remarcat daca tot ai un talent extraordinar : ))))))))))cipri a scriseu l am ascultat si mi a placut foarte tare nu inteleg de ce tot comentati aiurea .. ONE FM SUPER ! ROBERT GEORGESCU THE BEST ! JURA TE CA NU STIU : )))))) si apropo de piesa cine a compus piesa? MARIANA a scris tu esti ala mare vedeta : )))))))))))))))))))))))))))))))) fa un consult PSIHOLOGIC manudj a scrisnu stiu cat de mare vedeta esti u dar cu siguranta nu ai minte dak ajungi sa jignesti si sa te ataci asa aiurea,ce ai scris u acolo este un blog in nici un caz un dj dar nu stiu ce sa spun.. ONE FM FELICITARI INCA ODATA ROBERT GEORGESCU FOARTE TARE A MIXAT LIVE PE ONE FM A DEMONSTRAT K I SI MERITA LOCUL .. SI AM INCHEIAT ACEAST CONFLICT FARA SENS,iar daca dj ul asta mixeaza la ONE FM inseaman ca este pt un motiv si de aici pana a spune lucruri urate e mult pre mult . Alice a scris. Ft faine mixurile, bravo si multa bafta in continuare!!!! DJ BUDILAalex a scrisai mixurile fff bune mai ales asta 0. Dani Fid a scrisbelea mixul.. ONEcocalar. FM.. super tineti- o tot asa. PE DREAPTAVLAD a scris. FARA DOAR SI POATE ESTE CEL MAI BUN DJ DIN BRASOV .. ASA CA VA PUTETI OFTICA CAT VRETI ..: )vlad a scrisdin cate observ te pot asculta si maine seara .. ROBERTtinos a scrisfoarte bun ! Xsorin a scrisvad atatea comentari.. Robert.. astept noile tale piese.. ANTI INNA a scris. NU INTELEG CE CAUTA INNA LA ONE FM . NU ARE NICI O TREABA CU MUZICA PENTRU CARE E FACUT ACEST POST DE RADIO. VA RUGAM EXLUCDETI- O . DA TI SEARCH PE YOUTUBE , 2. SA VEDETI INTERVIU CU EA IN LIMBA ENGLEZA SI DUPA SA O AUZITI IN TIMP CE ISI CANTA MELODIILE . Transfer_ro- 1. 5Nov- 7c. Mazy a scris. TE ASTEPT LA BISTRITA !!! Whatever a scris. Mixeaza foarte naspa.. HAGI ERA DIN SACELE (CONSTANTA )SI a ajuns departe si a inceput de jos ..: )manudj a scrisnu am inteles si nu inteleg de ce uni in loc sa- si vada de treaba lor si de grija lor sunt asa rai ,in fine numa oameni inculti si fara educatie se iau de alti .. Un tanar din Brasov a scris. Pentru domnul Andrei un dj probabil frustrat din Brasov daca incepem sa ne uitam la trecutul fiecaruia e jale. Exista doua motive pentru care ai scris comentariul acela. Invidie, crezi ca David "digei" (se scrie Deejay pentru informatia ta) nu a pornit de jos? Fiecare a pornit de jos, fiecarui i se acorda odata sansa de a afirma. Asa cum s- a intamplat si cu Robert. Spune- mi daca gresesc aici. Echipa poate vrea sa promoveze pe acest dj pentru ca a gasit in el ce nu ai observat tu, un nimeni, un anonim defapt fata de oamenii care l- au selectat in echipa. Mai bine stai frumos in banca ta si vezeti de treburile tale, poate vei ajunge mai departe ca in momentul de fata. De dragul de a ataca cineva, ce inseamna ca nu stie sa mixeze? Explica- mi si mie te rog frumos ce inseamna pentru tine asta? Nu mixeaza la bataie cum fac alti dj mai mari, nu baga in momentul de fata piese bine alese? Acesta este stilul lui iar tu tot ce poti face in momentul de fata sa schimbi postul daca nu- ti place. Avem variatate. Nu inteleg, spuneai ca nu asculti One FM, atunci de ce te doare ca are set Robert la One FM? Revenind la productie muzicala, poate a nu isi face el piesele dar nu vad problema atata timp cat sunt ideile lui la mijloc atata timp cat (probabil) a platit pentru piesele lui si atata timp cat nu e singurul in Romania, stim foarte bine cu totii cine se mai afla in aceasi situatie. Amice, faci niste afirmatii care numai un dj face "ca sa mixezi cu laptopul ai nevoie de multa minte si ureche muzicala ca acolo nu folosesti virtual dj". Multa minte? Iti demonstrez eu tie ca tu nu faci pe Ableton, Traktor si toate programele de softuri ce face el live, mixand analog, pe playere si un mixer. Daca vrei nu ai decat sa- l provoci, stiind atat de multe despre el inseamna ca il cunosti si poti sa iei contactul. De ce? Pentru ca Robert era un anonim inainte sa se ajunga cu piesa lui la nivelul la care niciun dj brasovean nu a ajuns inca si cu atitudinea asta nu o sa ajunga. Ca incheiere "iti doresc sa- ti faci ce are ursul in loc de mana" sa stai sa te gandesti la lucrurile de mai sus, pune- te in banca ta, gandeste- te la viitorul tau o sa ai mai mult de castigat. Un tanar din Brasov ; )bogdan a scrissincer eu nu- l cunosc pe dj georgescu nu sunt nici din brasov si nici dj.. DJ MYRON. pe care l- am ascultat la bucuresti si Dj XTZ care l- am ascultat la Liquid club Sibiu.. BAFTA MULTA a scrisalt inteligent .. Un tanar din Brasov a scris. Bogdan explica ce inseamna mixeaza super naspa? Gusturile nu se discuta la fiecare melodie facuta pentru cocalari a lucrat cineva ore intregi, idei la mijloc, deci pronunta- te cand faci ceva mai tare ca "Live your life", sau cand o sa ai totusi un habar despre productia muzicala si industria muzicala din Romania. Dj My. Ron intradevar este un dj de exceptie prin seturile lui dar probabil ca inca nu s- a remarcat cu ceva ca sa- l aduca la o linie de plutire. Dj XTZ este si el la modul lui bun dar eu consider ca Robert este mult peste el ca si show ca si piese ca tot. Ciao. augustin a scrisdj- ul asta l- am auzit la costinesti.. O sa va arate tipul asta ce inseamana sa fi un dj adevarat si nu un om de cacat care spune vrute si nevrute . TINE O TOT ASA ROBERT SUCCES CA MULTI VAD CA VOR SA TE DISTRUGA CE PACAT : (Adi a scris. ESTI UN DJ FOARTE BUN NU ASCULTA DE PARERILE ALTORA TINETI DRUMUL CA ESTI PE UN DRUM FOARTE BUN.. TARE MIXUL.. Un tanar din Brasov a scris. Pentru acest "bgodan" in primul vorbesc in calitate de cunoscator deoerce ii cunosc pe toti 3 personal am avut de a face cu toti. Revistele de specialitate fiind? Astept si eu niste rezultate, cele gen Nights. ![]()
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TV Tropes lists major limitations that came to define a certain look: the wobbly freehand lines, awkward color handling, and inappropriate export settings that give Paint its distinctive look. In 2. 01. 4, Gawker’s Sam Biddle noted Paint’s influence on conspiracy theory images, calling the form “Chart Brut.” In amateur detectives’ attempts at identifying the Boston Marathon bombers, the simplicity and jaggedness of Paint evokes the “crazy wall” aesthetic of red string and scribbled notes, apparently without irony. The same year, internet historian Patrick Davison explored Paint’s influence on the last decade of meme culture, particularly Rage Comics. The outsider- art aesthetic feels appropriate to the relatable everyday content, and makes the art form unthreatening. Of course, Paint offered a few features to smooth things out, like the circle and line tools and the “fill” tool, all used in the stoner comics of the early 1. Crucially, those circles still had jagged curves. The bright colors of stoner comics are flat, as MS Paint didn’t support gradients (without an elaborate hack). Contrast those pixellated lines with the slick, stylish face from this art tutorial: This slickness is built into Paint’s successor, Paint 3. D. From the moment you start sketching, Paint 3. D smooths out your art. It also supports automatic selection tools and content- aware fill to rival Photoshop’s.)By automatically improving art, Paint 3. D hides the process behind the image. Paint’s sloppiness is probably why rage comics got so popular. Looking at a rage comic, you can tell exactly how it was drawn, and how you might draw one yourself. By delivering exactly what the artist draws, MS Paint forms an image that the viewer can mentally reverse- engineer and imitate. Unless you go absolutely nuts with it. Reddit user Toweringhorizon painstakingly assembled the drawing “To a Little Radio” using MS Paint tools like the oil brush, stretching the medium while maintaining a pixelated look. It’s one of the top submissions to MS Paint subreddit, a beautiful collaborative art gallery. Scrolling through this art feels like flipping through the sketchbook of the most artistic kid in high school. There’s an accepted roughness, a desired minimalism. For example, the exquisite raindrops in the work above are reflected in a flat, featureless tabletop. Like a transistor radio, Paint might be showing its age, but this tenacious little gadget should not be underestimated.“To a Little Radio” doesn’t even come close to testing Paint’s limits. As we say goodbye to the app that shaped an era, let us watch this bizarrely soundtracked time lapse of drawing Santa Claus in MS Paint on Windows 7 over the course of 5. We can only believe this is real because faking it would be even harder. 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The diminutive cars are cheap, easy to maintain and fun to.. The Tamiya M- Series is probably the most popular global stock class out there. The diminutive cars are cheap, easy to maintain and fun to drive. As they are front wheel drive they stand out from you average RC car and the classic Mini shell is enough to melt even the most cynical of hearts. As you would expect, for such a popular chassis there are a lot of different hop- ups that are available, and there are a few tips and tricks that can help you keep your M0. There are a plethora of parts available for the M- 0. RCRacer friends have used and think are worth considering to purchase when trying to get the best performance from the chassis.
Although in reality just a set of bearings, oil shocks and steering posts are all that is needed to get started. This guide will be updated over time, so please feel free to contribute and check back. ![]() Need for Speed, frequently known by its initials NFS, is a long-running and popular series of Racing Games published by Electronic Arts focusing on illegal. Http://www.thercracer.com/2014/08/tamiya-tt02-guide-mods-tuning-and-tips.html. What chassis to buy? If you want a full on race M0. Tamiya 8. 44. 24 M- 0. V2 R Chassis kit. This is a fully loaded kit with the top hop- ups and it is much cheaper than buying the parts separately. It has most of the parts listed below, so just buy it, build it and run it. This is a limited run kit so it is not always in stock. Another option is the 5. M- 0. 5 V2 Pro. This is better than a stock M0. Click here for our detailed review of the M0. For those who want to start cheaper and just upgrade as the go along, you can take your pick from an ever increasing range of standard M0. These all come an ESC and motor. M- 0. 5 and M- 0. What's the difference? There are two types of M- 0. All of the kits that come with a shell are M- 0. Tamiya also sells the above two chassis kits that are M- 0. So what is the difference between the M0. M0. 5 v. 2? Well the original M0. There has been a slight revision in 2. V2 chassis. (Click here for our detailed review). In reality both versions of the car will be fine to race, but the V2 has several advantages. Square pack battery fitment. One piece lower arms (lighter)Motor closer to the centre. Easy Droop setting adjustments. Converting a M0. 5 to a M0. You can easily convert an older M0. V2 by purchasing the following parts: Tamiya 5. M- 0. 5 Ver. II L Parts (Suspension Arms)Tamiya 5. M- 0. 5 Ver. II A Parts (Chassis)Tamiya 5. M- 0. 5 Ver. II Aluminum Motor Mount. The above will give you most of the unique features of the M0. Tamiya also sells a set of key hop up aluminium parts for a M- 0. This is a good purchase along with 5. M- 0. 5 to a nicely hopped up V2. Wheelbase does it matter? The M0. 5 comes with the ability to have 3 different wheelbase settings. Small (2. 10mm)Medium (2. Long (2. 39mm). As you would expect the different length changes the way in which the chassis handles. The short length chassis (2. The medium one (2. So for indoors I would usually go for medium, and then opt for short if it is a very tight track. For outdoors or larger medium grip indoors tracks I would consider running the long wheelbase. In reality though if just getting one shell, and wanting an easy life then medium is the way to go. So you have chosen your wheelbase, it's now time to pick a shell to pop on the top. Like any racing class the shell can help with how the car will handle, it is not as noticeable on the M0. If you look around many of these shells also have a lightweight alternative, this will always help as the M0. The following shells are for 2. Tamiya Mini Cooper racing 5. Tamiya Mini Cooper racing Lightweight 4. Blitz Mini RS4. Ride Subaru BR- Z (Can also be used for 2. The following shells are for 2. Tamiya Suzuki Swift 5. Tamiya Monster Super Swift 5. Tamiya Volkswagen Golf Mk. Racing Group 2. Tamiya Mazda MX- 5 5. Tamiya Mazda MX- 5 Lightweight Body 4. Tamiya Fiat 5. 00 (modern type) Blitz C3. EP7. 21. 6 - Honda CIVIC TYPE RBlitz Mini GTI (VW) - note lots of grip. Blitz Mini Jazz Blitz Mini RS1. Ride Subaru BR- Z body (Can also be used for 2. The following shells are for 2. Tamiya MINI JCW Coupe 5. Tamiya MINI JCW Coupe lightweight 8. Tamiya Alfa Romeo Mi. To 5. 14. 04. Tamiya Alfa Romeo Mi. To lightweight 8. Mazda Demio / Mazda. Tamiya Mini Cooper S 5. There are more shells, these are the main ones and I will update the list over time. My current favourite is the Tamiya 4. MX5 shell, the Ride BR- Z shell is also popular. There are lots of different tyres out there, and it is best to see what others at your local club run before investing in a set or two. I find the Shimizu Treaded tyres work really well at my local club which is indoor carpet. I run medium front and soft rear. This makes the car very responsive, if you want it a little easier to drive then hard front and medium rear. I also run Sweep slicks, 3. In reality there are so many different types of tyres available you will probably be best to ask at your local club. Rimming! One technique that is used a lot when racing M- 0. This helps stiffen the profile of the tyre and can stop grip roll when you have tried everything else, (Softening the car etc). The M0. 5 gearbox is not the most complex, but you still want it to be as free as possible to ensure you get the most speed from your stock motor. You want a steel or hardened 2. Mod pinion (Tamiya part no 5. Importantly, do not put grease on the gears, this just causes drag, leave them dry and they will last for ages. Tamiya M- Chassis Reinforced Gear Set is a hop- up gear set, but it is not essential, if anything these gears initially sound a bit more coarse than the kit gears, although after a few race meetings they quieten down as they are worn in.I would only recommend these if you wear out your kit gears. Bearings. . The most essential upgrade for any standard M0.These free up the whole car, and again you do not need to use any grease which will bog down your car.You will need the following bearings to convert the M0. Hollow shafts (Tamiya 5. It seems silly to say that these are a good hop- up, but they really help to ensure that the drive train is a free as possible with their smooth finish (Hence less friction in the drive train). They save quite a lot of weight (6g), this weight is high up in the chassis, so by fitting these you can transfer it to lower down to make the car handle better. So not essential, but cheap if you decide you want to add them. The differential makes the biggest difference in how your car will perform on the track. The kit diff when built to the instructions is very free and you will lose a lot of speed around the corners. It is also prone to diff out (Spinning the unloaded inside wheel) This can give the car some odd handling characteristics such as snap over- steer. Doing the opposite and locking the diff solid (A Spool) makes the car twitchy and hard to drive but can be fast on large, nontechnical circuits. So ideally you want a stiff diff that somewhere in the middle. Here you have a fair few options: Tuning the kit differential. All chassis come with a standard Tamiya bevel gear diff. These are not sealed so you cannot tune them with silicon oil, but you can use thick sticky grease. Tamiya's AW grease is very good for this purpose and a generous amount of this can give you a nice firm differential. However as it is spinning around is will move around a bit and the diff will become more loose over time so you will need to maintain it to keep it consistent. Shimming the Kit Differential. Another way to tuning the kit differential is to add some shims on the outside of the main bevel gears, this pushes the gears closer together and creates more friction. You do not want to use too many shims. I used 0. 6mm overall on mine), and also covered the gears with some AW grease and the diff performed well, although as you would expect it does feel quite notchy. Ball differentials. A ball differential gives you much better fidelity when tuning the car, and there are a lot of options available for the M- Chassis cars. Tamiya 5. 30. 70 Manta Ray Ball differential. The Manta Ray / TA0. It is quite heavy but very tough. It is not able to be made as tight as the TA0. Tamiya 5. 32. 67 TA0. Ball differential. This is still quite a heavy differential, but it is also very tough and can be left in the car for a long time between servicing. You have to take the chassis apart to adjust the stiffness, and you can make this diff very stiff (Taking care to not snap the screw). However I find the kit settings with just a little 1/4 twist more a good starting point. |
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